Urbain Tila - man behind "Bloemllywood"!

Urbain Tila – man behind “Bloemllywood”!

“Bloemllywood” – in collaboration with Josh 158 Records has introduced locally produced movies to the Free State. On Sunday July 20, NOT OVER YET (a DVD) was launched in Bloemfontein. Richenzo spoke to the moving spirit behind Bloemllywood, Mr Urbain Tila

Q: Mr. Tila, how did it all start, sir?

TILA: It was like a dream, the germination of an idea. “Oaks from little acorns grow” as they say. The world knows about the iconic Hollywood in America, Bollywood in India, and Nollywood in Nigeria. So why not “bloemllywood”, in the heart of the Free State in South Africa? What heartened me most has been the incredible co-operation I have got from everybody at large.

Q: I read somewhere that you have also been impressed with the natural (acting) talents of the cast?

TILA: It’s incredible, really! Just watch any of our productions and you will see how good these actors and actresses are. It’s in their blood. Like Selloane! They are great professionals as far as I am concerned because they are selfless, competent and so dedicated. I believe the future is very bright for the movie Industry here.

Q: What about finance?

TILA: Of course it was not easy raising funds but so many people chipped in to help, individuals and companies. I am grateful for all this. I must mention the likes of Me Soabi Wemima and Christian Omamatu (Chico). I must also thank Mpho Mpobole for her great contributions to the industry here.

Q: How do you manage to write the scripts, direct, and also produce?

TILA: (laughing) I also act! It’s all about passion. I have always loved the world of acting and drama. It’s so fulfilling seeing one’s dreams coming true
The cast of NOT OVER YET includes Gladys Motsumi, Tshepo Sebotha, Tlokotsi Tejane, and Thato Selogilwe

An Interview with Omoseye Bolaji

An Interview with Omoseye Bolaji


Free State Black Literature is now established and acknowledged world-wide. It is also generally accepted that the main catalyst behind this resurgence is Omoseye Bolaji, a prolific author, and journalist who has inspired many others to write. Here, HiFive’s Jerry Seekoei caught up with him for an illuminating session on the world of writing…

You’ve got a fair amount of recognition as a writer – many books published, reviews, published studies discussing your work…I was quite staggered to see how many references you have on the internet. Your recent awards too have also been well publicized. How does it all feel?

BOLAJI: I have a feeling I’ve heard this question before! (laughter). At the end of the day life goes on, really. From a simplistic point of view I believe that what really pleases a writer most is when a reader comments favourably on one’s works. The other day I met a stranger who just came to me and said: “Mr. Bolaji, I read the Sesotho translation of your play (The subtle transgressor), I could not put it down for a second. It was superb. I give it ten over ten!”

Some other observers also believe that you are lucky to have some people (writers/critics) impressed with your work. Mr. (Pule) Lechesa for example has been described as your “disciple”. Others like Petro Schonfeld and Prof Pretorius also love your work…

BOLAJI: I suppose some people would always be particularly enamoured with one’s works. Some of these people will now go out of their way to ensure that such works are even more publicized or analysed …a very pertinent example is Flora Weit Wild who over the years has done wonders in promoting Dambudzo Marechera’s literary works. It appears she has published more books - studies - on him than he (Marechera) ever wrote! However there are many others who have also promoted my work and written a lot about it…people like the late Pule Lebuso, Flaxman Qoopane, Charmaine Kolwane, Urbain Tila…my thanks to all of them.

Do you have favourites among your published works?

BOLAJI: Really I have said it before, that I am not one of those writers who go on and on reading and re-reading whatever they have published. I believe that a writer should move on after every “literary project”, as it were. Ideally whilst working on a particular book, there should be some excitement about it, but when it’s made available to the public there is no need to cling to the works with exceeding élan! Yes, inevitably there would be some mistakes in the books which the critics would gleefully point out. That is their province. I remember that a certain critic claimed to have detected “hundreds” of mistakes in Wole Soyinka’s The man died. But this did not stop the book being celebrated the world over.
Some other “critics” also claim that throughout all your books you hardly have anything bad or negative to say about whites

BOLAJI: There is no need being confrontational just for the sake of theatrics, or playing to the gallery, or whatever. I did not grow up under apartheid – actually my first years were spent in London (England) and I had a wonderful white Nanny who took care of me. White people have helped me a lot over the years in furthering my writing career. I have a number of very good white friends. I suppose many whites would be “bad” in the same way many blacks would be “bad” too. Recently a top footballer announced that racist jibes against him never worried him “it’s done by a minority and they just need to be enlightened” he said.

There is plenty of ignorance in respect of writers. Are writers “famous” even to themselves or in particular areas?

BOLAJI: We can all be quite ignorant when it comes to literature. As Lechesa pointed out in his book, The evolution of Free State Black Literature when Toni Morrison won the Nobel Award for literature a fellow American commented “Who is he?” As we might know Toni Morrison is actually a very famous black female American writer. What usually happens is that we all have our favourite writers. I have met many writers locally who hardly know icons like Es’kia Mphahlele or Gomolemo Moake or Njabulo Ndebele…such people usually know a lot about Ngugi, Achebe; by the same token most know little or nothing about Wole Soyinka who was the first African to win the Nobel Award. I myself only recently got to read some of the books written by Aryan Kaganof – a very funny, blunt, candid writer. It helps when those who love books – or budding writers – have been introduced to certain writers at school.

So perhaps you mean that we can sort of “specialize” as regards our knowledge or interest in writers/literature?

There are so many writers all over these days that we can be forgiven for some ignorance. Again it’s like football, soccer in a way – you get fanatical supporters of a team, e.g Bloemfontein Celtic supporters here who know EVERYTHING about the team on a daily basis. Many of them will tell you they know little or nothing about international football. Yet you get other football lovers locally who know very little about local teams but can give you daily news on Manchester United, Barcelona, Real Madrid etc! Hence there are writers who know a lot about literature locally, a fair number of them might also have some general knowledge of writers nationally – the Zakes Mdas, Ndebeles, Mzamanes, Tlalis, Ngcobos etc. Then there are some who read only certain Eurocentric writers – others like Caribbean authors…another ilk are those who read only particular type of books, maybe romance, historical, biographies

Or mystery/detective fiction…

Yes. I have a soft spot for that! There are readers who read only the Dick Francis’, Agatha Christies, Sidney Sheldons; and the African works in this wise. You know, there are African writers who also write such (mystery) books; like Kalu Okpi, Victor Thorpe, Bolaji! (laughter all around)

An Interview with Omoseye Bolaji

An Interview with Omoseye Bolaji


Free State Black Literature is now established and acknowledged world-wide. It is also generally accepted that the main catalyst behind this resurgence is Omoseye Bolaji, a prolific author, and journalist who has inspired many others to write. Here, HiFive’s Jerry Seekoei caught up with him for an illuminating session on the world of writing…

You’ve got a fair amount of recognition as a writer – many books published, reviews, published studies discussing your work…I was quite staggered to see how many references you have on the internet. Your recent awards too have also been well publicized. How does it all feel?

BOLAJI: I have a feeling I’ve heard this question before! (laughter). At the end of the day life goes on, really. From a simplistic point of view I believe that what really pleases a writer most is when a reader comments favourably on one’s works. The other day I met a stranger who just came to me and said: “Mr. Bolaji, I read the Sesotho translation of your play (The subtle transgressor), I could not put it down for a second. It was superb. I give it ten over ten!”

Some other observers also believe that you are lucky to have some people (writers/critics) impressed with your work. Mr. (Pule) Lechesa for example has been described as your “disciple”. Others like Petro Schonfeld and Prof Pretorius also love your work…

BOLAJI: I suppose some people would always be particularly enamoured with one’s works. Some of these people will now go out of their way to ensure that such works are even more publicized or analysed …a very pertinent example is Flora Weit Wild who over the years has done wonders in promoting Dambudzo Marechera’s literary works. It appears she has published more books - studies - on him than he (Marechera) ever wrote! However there are many others who have also promoted my work and written a lot about it…people like the late Pule Lebuso, Flaxman Qoopane, Charmaine Kolwane, Urbain Tila…my thanks to all of them.

Do you have favourites among your published works?

BOLAJI: Really I have said it before, that I am not one of those writers who go on and on reading and re-reading whatever they have published. I believe that a writer should move on after every “literary project”, as it were. Ideally whilst working on a particular book, there should be some excitement about it, but when it’s made available to the public there is no need to cling to the works with exceeding élan! Yes, inevitably there would be some mistakes in the books which the critics would gleefully point out. That is their province. I remember that a certain critic claimed to have detected “hundreds” of mistakes in Wole Soyinka’s The man died. But this did not stop the book being celebrated the world over.

Some other “critics” also claim that throughout all your books you hardly have anything bad or negative to say about whites

BOLAJI: There is no need being confrontational just for the sake of theatrics, or playing to the gallery, or whatever. I did not grow up under apartheid – actually my first years were spent in London (England) and I had a wonderful white Nanny who took care of me. White people have helped me a lot over the years in furthering my writing career. I have a number of very good white friends. I suppose many whites would be “bad” in the same way many blacks would be “bad” too. Recently a top footballer announced that racist jibes against him never worried him “it’s done by a minority and they just need to be enlightened” he said.

There is plenty of ignorance in respect of writers. Are writers “famous” even to themselves or in particular areas?

BOLAJI: We can all be quite ignorant when it comes to literature. As Lechesa pointed out in his book, The evolution of Free State Black Literature when Toni Morrison won the Nobel Award for literature a fellow American commented “Who is he?” As we might know Toni Morrison is actually a very famous black female American writer. What usually happens is that we all have our favourite writers. I have met many writers locally who hardly know icons like Es’kia Mphahlele or Gomolemo Moake or Njabulo Ndebele…such people usually know a lot about Ngugi, Achebe; by the same token most know little or nothing about Wole Soyinka who was the first African to win the Nobel Award. I myself only recently got to read some of the books written by Aryan Kaganof – a very funny, blunt, candid writer. It helps when those who love books – or budding writers – have been introduced to certain writers at school.

So perhaps you mean that we can sort of “specialize” as regards our knowledge or interest in writers/literature?

There are so many writers all over, these days that we can be forgiven for some ignorance. Again it’s like football, soccer in a way – you get fanatical supporters of a team, e.g Bloemfontein Celtic supporters here who know EVERYTHING about the team on a daily basis. Many of them will tell you they know little or nothing about international football. Yet you get other football lovers locally who know very little about local teams but can give you daily news on Manchester United, Barcelona, Real Madrid etc! Hence there are writers who know a lot about literature locally, a fair number of them might also have some general knowledge of writers nationally – the Zakes Mdas, Ndebeles, Mzamanes, Tlalis, Ngcobos etc. Then there are some who read only certain Eurocentric writers – others like Caribbean authors…another ilk are those who read only particular type of books, maybe romance, historical, biographies

Or mystery/detective fiction…

Yes. I have a soft spot for that! There are readers who read only the Dick Francis’, Agatha Christies, Sidney Sheldons; and the African works in this wise. You know, there are African writers who also write such (mystery) books; like Kalu Okpi, Victor Thorpe, Bolaji! (laughter all around)

Interview with new Celtic coach, D'Avray

The former coach of Moroka Swallows, Mitch D’ Avray has just sealed a two-
year contract with Bloemfontein Celtics, Siwelele sa Maselesele. Pule Lechesa managed to have an exclusive interview with him.

PE: I remember when I was a kid I used to read about you playing in an English football. Briefly, what would you say is the main difference between South Africa and English football?

Mitch D’ Avray: I do not know whether I am qualified to answer that question now because I have been Out of the country for sometime. I am still looking to see if there has been some changes and developments. Generally I think football in English has been fully professional for many-many years. I think just the level of professionalism is probably the biggest difference between England and South Africa .

PE: How would you describe yourself as a coach, are you strict disciplinarian or are you close to the players like Herry Rednapp in England ?

Mitch D’ Avray: (laughter) I do not think that I am one particular coach. I think I have little bit of everything in me. I want people who are hard workers. I do my job to the best of my ability always hundred percent. I expect the players to also do the same.

PE: What types of formations do you belief in? I mean like an extra defender or attacker.

Mitch D’ Avray: It is not the case of what I like. I am coming to Celtics and I am inheriting a squad of players. I would find the system that suits the players rather than the one that suits me as if I am the one that is playing the game. If I started the game and pick the player that can play a certain position that is different.

PE: What is your mandate as a coach. Do you think that the club can ever challenge for the premiership?

Mitch D’ Avray: I do not think that it will be in the first season. Obviously long term goal. The aim of the club must be a title chasing team. Celtics is potentially a very big club. But I think we are far away from it at the moment.

PE: Are you going to play most of your games at Seisa Ramabodu or you prefer playing in the city.

Mitch D’ Avray: We must play most of the games at Seisa Ramabodu. We must bring the games near the supporters.

PE: I am sure you realise that Celtics fans are the most volatile, fickle in the country. Won’t they intimidate you?

Mitch D’ Avray: No I wouldn’t be intimidated by that, as that is one of the key reasons why I accepted the job to coach Bloemfontein Celtics. I remember them from my days with Moroka Swallows. I also remember them from my days with Cape Town spurs as being very volatile and passionate supporters as I said earlier on I am also passionate.

PE: Euro 2008 has just finished as a Coach and former international player. What lesson can we learn from the tournament?

Mitch D’ Avray: The tournament was I think highly successful tournament. I think the statistics will come out of the tournament. I will wait as they will probably come with the documents and I will have to read and digest these facts before making a comment. But I think it was a high quality tournament. I think everyone who watched enjoyed the games.

PE: My last question from what you know so far about Celtics, who are the most influential players?

Mitch D’ Avray: I do not know who that is at the moment as I have just been with the team for a week. There has been a lot of endurance work a lot of stamina. So I haven’t much seen them playing soccer. I will be able to answer that question in probably a month time.

PE: Thank you for your time, Public Eye wishes you everything of the best in you new job as the Head coach of Siwelele sa Masokolara.

Mitch D’ Avray: (laughter) Thanks you very much.

Introduction

This blog will intermittently publish interviews with prominent people based in the Free State, (South Africa); including those in the sports field, economy, socials, arts and culture etc